essays &
reviews
“Present but Not Accounted For: Astrid Roemer’s On a Woman’s Madness,” Words without Borders, March 4, 2023.
“Labor, Luster, and Lineage: ‘Hear Me Now’ at the Metropolitan Museum of Art,” Art in America, November 29, 2022.
Review of Maria Firmina dos Reis, Ursula, translated by Cristina Pinto-Bailey, Asymptote, July 28, 2022.
“Reparative Semantics: On Slavery and the Language of History,” Commonplace: the journal of early American life, January 4, 2022.
“Shadow Acts: On Tavia Nyong’o’s Afro-Fabulations: The Queer Drama of Black Life and Stephen Best’s None Like Us: Blackness, Belonging, Aesthetic Life,” Los Angeles Review of Books, June 29, 2020.
“Zora Neale Hurston in the Making,” Public Books, June 12, 2018.
“Sandoval Redux,” ReVista: The Harvard Review of Latin America, vol. 17, no. 2, pp. 30-32, 2018.
“On Élie and Eric,” Transition: The Magazine of Africa and the Diaspora, no. 117, p. 13, 2015.
“Black Beethoven and the Racial Politics of Music History,” Transition: An International Review, no. 112, pp. 117-130, 2013..